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Literature and Arts of the Americas Volume 8 1974 Issue 13

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Japanese manga artist, primarily known for his work Naruto

Masashi Kishimoto
岸本 斉史
Built-in (1974-11-08) Nov eight, 1974 (age 47)

Nagi, Japan
Occupation Manga artist
Years active 1997–nowadays
Employer Shueisha

Notable piece of work

 Naruto
Children 1
Relatives Seishi Kishimoto (twin brother)
Awards Quill Honor (2006)

Masashi Kishimoto ( 岸本 斉史 , Kishimoto Masashi , born November 8, 1974[1]) is a Japanese manga artist. His best known piece of work, Naruto, was in serialization from 1999 to 2014 and has sold over 250 meg copies worldwide in 46 countries as of May 2019.[2] [3] The series has been adapted into two anime and multiple films, video games, and related media. Besides the Naruto manga, Kishimoto also personally supervised the two canonical anime films, The Concluding: Naruto the Movie and Boruto: Naruto the Movie, and has written several one-shot stories. In 2019, Kishimoto wrote Samurai eight: The Tale of Hachimaru which concluded in March 2020. From May 2016 through October 2020 he supervised the Boruto: Naruto Next Generations manga written past Ukyō Kodachi and illustrated by Mikio Ikemoto. In November 2020 it was announced that he had taken over as writer on the series, replacing Kodachi.[4]

A reader of manga from a young age, Kishimoto showed a desire to write his own manga, citing authors Akira Toriyama and Katsuhiro Otomo as his main inspirations. As a result, Kishimoto spent several years working to write his own shōnen manga for Weekly Shōnen Jump magazine which he was a fan of.[5]

Early life [edit]

Masashi Kishimoto was built-in in Okayama Prefecture, Nihon on Nov 8, 1974, as the older identical twin of Seishi Kishimoto.[1] His home was shut to Hiroshima where his grandfather originated. Kishimoto'due south grandfather often told him about stories of war and how information technology was related to grudges. In hindsight, Kishimoto commented he could not criticize anyone as a consequence of the war based on it was built. He felt grateful to previous generations for catastrophe the world wars.[half-dozen] During his babyhood, Kishimoto showed involvement in drawing characters from the anime shows he watched, such as Dr. Slump 's Arale and Doraemon 's titular protagonist.[vii] [8]

In elementary school, Kishimoto started watching the Kinnikuman and Dragon Ball anime alongside his brother.[ix] During the following years, Kishimoto started idolizing Dragon Ball 'south original creator Akira Toriyama, enjoying not only his series Dragon Ball and Dr. Slump, only also Dragon Quest, a serial of role-playing video games for which Toriyama is the art designer. While he could non afford to purchase Weekly Shōnen Leap where the Dragon Ball manga was published, he followed the serial cheers to a friend from school who had subscribed to the magazine.[ten] [11] By loftier schoolhouse, Kishimoto started losing interest in manga as he started playing baseball game and basketball game, sports he practiced at his school. However, upon seeing a poster for the animated film Akira, Kishimoto became fascinated with the way the illustration was made and wished to imitate the series' creator Katsuhiro Otomo's way.[12] Other series he enjoyed reading are Jin-Roh: The Wolf Brigade; Ninku; and Ghost in the Shell.[13]

During his final years at Kyushu Sangyo University, Kishimoto spent time drawing manga and went to an art higher with the hopes of becoming a manga artist.[14] Upon entering higher, Kishimoto decided he should try creating a Chanbara manga since Weekly Shōnen Spring had not published a title from that genre. However, during the same year, Kishimoto started reading Hiroaki Samura's Blade of the Immortal and Nobuhiro Watsuki'due south Rurouni Kenshin (the latter of which was published in Weekly Shonen Bound), which used the said genre. Kishimoto recalls having never been surprised past manga ever since reading Akira and found that he yet was not able to compete against them.[xv]

In his 2nd twelvemonth of higher, Kishimoto started drawing manga for magazine contests. However, he noted that his works were like to seinen manga, aimed towards an developed demographic, rather than the shōnen manga read by children and teenagers.[16] Wishing to write a manga for Shōnen Jump (which targets a immature demographic), Kishimoto plant his mode unsuitable for the magazine.[17] When watching the anime series Hashire Melos!, Kishimoto was surprised by the graphic symbol designs employed by the animators and he started researching works from animators. He later met Tetsuya Nishio, designer from the anime adaptation of the manga Ninku, who he accounted a big influence.[eighteen] Now emulating the way of drawing from multiple grapheme designers from anime series, Kishimoto noted that his style started resembling shōnen series.[19]

Career [edit]

Early works [edit]

Kishimoto's kickoff successful manga pilot was Karakuri ( カラクリ , lit. "Mechanism" ), which he submitted to Shueisha in 1995. This earned him an honorable mention in Shueisha'due south monthly "Hop Pace Laurels" in 1996, granted to promising rookie manga artists.[twenty] At this point he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a piece-of-life manga, Michikusa ( 道くさ , lit. "Wandering Detour" ),[21] [22] and an action manga, Asian Punk ( アジアンパンク , Ajian Panku ).[23] In 1997, he wrote a one-shot version of Naruto ( NARUTO－ナルト－ ) which was published in Akamaru Jump Summer.[thirteen] [22]

In December 1997, while redeveloping Karakuri for serialization, Kishimoto was offered a 1-shot in Weekly Shōnen Jump. The new version of Karakuri debuted 2 weeks later in Weekly Shōnen Spring 1998 No. four-5, but was hampered by the sudden borderline and performed poorly in reader surveys, being canceled immediately.[22] [24]

Following the failure of Karakuri, Kishimoto reduced his output and began moving in a seinen direction with drafts for a baseball manga, Yakyūō ( 野球王 , lit. "Baseball King" ),[25] and a mafia manga, Mario ( マリオ ),[26] hoping to find better luck with a seinen mag.[22] Yahagi persuaded him to give the shōnen genre i final shot and Kishimoto began working on storyboards for a fantasy one-shot, Magic Mushroom ( マジックマッシュルーム , Majikku Masshurūmu ),[27] merely stopped when Yahagi called and asked him to instead develop storyboards for serialization.[22] The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the first iii capacity, winning a spot in the magazine. With a six-month lead time, Kishimoto repeatedly revised and redrew the outset several capacity of the series.[22]

Naruto [edit]

In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Jump 1999 No. 43 and quickly became a hit. It ended on November x, 2014, later on more than 15 years of serialization, with a total of 700 capacity collected in 72 volumes. Sales have exceeded 113 one thousand thousand copies in Japan and over 95 million copies in the Usa,[28] followed by over 93 million copies worldwide (outside Nihon and United States) every bit of volume 36.[29] This makes full sales for the series approximately 301 million copies.

Kishimoto was too the winner of "Rookie of the Year" for the serial in the Agency for Cultural Diplomacy.[30] It was adapted into two successful anime series, Naruto and Naruto Shippuden. Kishimoto requested that Tetsuya Nishio oversee the character designs of Naruto when the manga was adjusted into an anime serial.[31] The Naruto manga series became 1 of Viz Media's top properties,[32] accounting for nearly x% of all manga sales in the US in 2006.[33] The seventh volume of Viz's release became the first manga to e'er win a Quill Laurels when information technology claimed the honor for "Best Graphic Novel" in 2006.[33]

War is a theme Kishimoto wanted to tell in the manga based on the Hiroshima crisis he was told from his grandfather. Despite understanding that state of war has no practiced site, Kishimoto wrote the concept of state of war in Naruto with a hopeful theme.[six] Responding to Naruto's success, Kishimoto said in Naruto Collector Wintertime 2007/2008 that he was "very glad that the American audition has accepted an understood ninja. It shows that the American audience has good gustatory modality... because it means they can accept something previously unfamiliar to them."[34] While writing the manga, Kishimoto met Eiichiro Oda, author of One Piece who he considered his rival. When Naruto concluded, Oda left a message in the series' final volume acknowledging him as a rival. According to Kishimoto "That felt and so gratifying."[35]

Additionally, earlier the anime accommodation's premiere of My Hero Academia, he praised Kōhei Horikoshi'due south piece of work, believing it would be a success overseas.[36] Additionally, Kishimoto referred to Yoshihiro Togashi as i of his favorite artists.[37]

For the video game Tekken half-dozen, Kishimoto redesigned its new character, Lars Alexandersson. CyberConnect2 CEO Hiroshi Matsuyama said he was attracted past this design and thus asked the Tekken staff if he could include Lars in the video game Naruto Shippuden: Ultimate Ninja Storm two.[38] For Naruto Shippuden: Ultimate Ninja Storm Revolution, Kishimoto was responsible for Mecha Naruto upon beingness suggested by the staff to include a new grapheme. Kishimoto decided on adding a character that would bring a big bear upon to worldwide level, which resulted in Mecha Naruto. CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new grapheme.[39]

For the ninth Naruto film, Road to Ninja: Naruto the Film, Kishimoto was responsible for both the story planning and the characters' designs.[40] To promote the film, Kishimoto worked in Motility Comic Naruto, a DVD that showed scenes from the manga in 3D that was given to the first 1.5 meg people who went to the movie theatre.[41] Regarding Naruto 'southward publication, Kishimoto told Tetsuya Nishio in July 2012 that the series would take over a twelvemonth and a half to finish. However, Kishimoto admitted that it now appears that the manga will continue across that timeframe.[42]

Throughout 2014, Kishimoto supervised the film The Last: Naruto the Movie, which would act as a bridge connecting the series' conclusion and epilogue, providing the story concept and character designs.[43] The Naruto series finally concluded on November ten, 2014, with The Terminal: Naruto the Movie premiering a month afterward on Dec 6, 2014.[44]

Kishimoto too worked on several other projects during Naruto'due south serialization. In 2010, Kishimoto produced a i-shot baseball manga, Bench ( ベンチ , Benchi ), equally office of Bound'due south "Top of the Super Legend" project, a serial of six one-shot manga by famed Weekly Shōnen Jump artists. In April 2012, it was announced that Kishimoto would publish a one-shot version of his long-postponed mafia manga, Mario, in Jump Square,[45] based on the rough, 160-page manuscript he began working on before Naruto became serialized.[46] Throughout 2013, several of Kishimoto'south one-shots saw their English language-language debut in issues of the Weekly Shonen Jump digital mag, including Mario, Bench, and the original Naruto pilot. In 2015, Kishimoto besides illustrated the cover of violinist Chisako Takashima's album Strings on Burn down.[47]

After Naruto [edit]

Following Naruto'due south conclusion, Kishimoto became involved in the Starting time of a New Era Project commemorating both the manga'southward conclusion and 15th anniversary. On the last folio of the terminal affiliate, Weekly Shōnen Leap announced that a spin-off miniseries, besides authored by Kishimoto, would be released in 2015. The miniseries, Naruto: The Seventh Hokage and the Cherry Bound, ran from April to July 2015, leading up to the premiere of Boruto: Naruto the Pic on August vii, 2015, which he supervised and co-wrote with Ukyō Kodachi. He too illustrated several lite novels set during the same time flow as The Terminal. When asked by Boruto Uzumaki'due south voice actress Yūko Sanpei to continue making Naruto films, Kishimoto stated that he was taking a break and could not physically do so.[48]

In Baronial 2015, Kishimoto announced that he already has finalized what he wants to do for his next manga series. A sci-fi manga, the series volition feature a unique protagonist, with Kishimoto having already completed the character designs. He plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Jump Plus due to the taxing try required for a weekly series. Kishimoto had not all the same finalized when he plans to officially announce the serial, as he wants to spend time with his family.[49] [50]

On December 19, 2015, it was announced that Kishimoto would supervise the monthly Boruto: Naruto Next Generations ( BORUTO−ボルト− ) manga series beginning in Spring 2016. The new spinoff will be illustrated by Kishimoto's main assistant on Naruto, Mikio Ikemoto, and written past his writing partner for Boruto: Naruto the Movie, Ukyo Kodachi. Information technology was preceded by a Naruto: The Path Lit past the Total Moon one-shot written and illustrated by Kishimoto.[51] In the June 10, 2019 issue of Weekly Shōnen Jump information technology was announced that Boruto: Naruto Adjacent Generations would transition to the mag's sister publication, Five Leap, beginning with its June twenty, 2019 effect.[52]

In December 2017 at Leap Festa 2018 it was confirmed that Kishimoto was developing a new science fiction adventure series tentatively scheduled to debut in 2018.[53] A year after at Jump Festa 2019 the series was formally announced as Samurai eight: The Tale of Hachimaru ( サムライ8 八丸伝 , Samurai Eito: Hachimaruden ).[54] Kishimoto will exist handling the script and rough storyboards, while Akira Ōkubo, a sometime assistant on Naruto and blood brother of Atsushi Ōkubo, is responsible for illustrating the last manuscript.[55] The series debuted in Weekly Shōnen Jump on May 13, 2019, every bit the mag's first new series of Japan's Reiwa menstruation, post-obit a 4-page preview affiliate on April 27, 2019, marking the end of the Heisei flow.[56] The series however failed to notice an audience and concluded a year later in the 17th upshot of Weekly Shōnen Jump on March 23, 2020.[57]

In November 2020 information technology was announced that after 51 capacity and 13 volumes Kodachi would stride downward as author of the Boruto: Naruto Side by side Generations manga, with Kishimoto assuming full writing duties and Ikemoto continuing as illustrator beginning with chapter 52 in the upcoming December outcome of 5 Jump magazine, published on November 21, 2020.[4]

Works [edit]

Manga [edit]

  • Karakuri i-shot (1996; Hop Step Honor winner, published in Hop Step Accolade Selection 18 ('95~'96) (1996), Akamaru Jump Winter (1997), and Naruto: The Official Premium Fanbook (2009))
  • Karakuri (December 21, 1997; debuted and canceled in Weekly Shōnen Jump 1998 No. 4-5, published in Zenkan: Naruto (2018))
  • Bench one-shot (October eleven, 2010, published in Weekly Shōnen Spring 2010 No. 45)
  • Mario 1-shot (May ii, 2013, published in Jump Foursquare 2013 No. 6)
  • Boruto: Road to B one-shot (Baronial 17, 2015, published in Weekly Shōnen Spring 2015 No. 36) It is a collaboration 1-shot betwixt Kishimoto and Kenji Taira (writer of Rock Lee SD manga)
  • Samurai 8: The Tale of Hachimaru — creator, writer, storyboard artist (May 13, 2019 – March 23, 2020; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Leap 2019 No. 24)

Naruto [edit]

Manga [edit]

  • Naruto one-shot (1997; published in Akamaru Jump Summer (1997)
  • Naruto: The Official Fanbook (2002))
  • Naruto (September 21, 1999 – Nov 10, 2014; serialized in Weekly Shōnen Leap, debuted in Weekly Shōnen Jump 1999 No. 43)
  • Naruto: The Seventh Hokage and the Scarlet Jump (April 27, 2015 – July half-dozen, 2015; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 2015 No. 22-23)
  • Naruto: The Path Lit by the Total Moon (April 25, 2016, published in Weekly Shōnen Spring 2016 No. 21-22 and Boruto: Naruto Adjacent Generations Volume 1)
  • Boruto: Naruto Side by side Generations — editorial supervisor (Volumes 1-xiii, May 9, 2016 – Nov 2020), writer (volume fourteen - current, Dec 2020 – ongoing) - serialized in Weekly Shōnen Spring and V Jump, debuted in Weekly Shōnen Bound 2016 No. 23.

Motion Comic [edit]

  • Motility Comic: Naruto — 2012, designer

Animated Films [edit]

  • Route to Ninja: Naruto the Movie — 2012, story planning and original character designer
  • The Last: Naruto the Movie — 2014, original story, original character designer and chief story supervisor[43]
  • Boruto: Naruto the Moving-picture show — 2015, original story, screenwriter, original graphic symbol designer and chief production supervisor[58]

Video Game [edit]

  • Tekken 6 — 2009, guest character designer
  • Naruto Shippuden: Ultimate Ninja Storm Revolution — 2014, character designer and editorial supervisor[39]

Artbooks [edit]

  • The Art of Naruto: Uzumaki ( 岸本斉史画集 UZUMAKI , Kishimoto Masashi Gashū: Uzumaki , lit. "Masashi Kishimoto Art Collection: Uzumaki") — 2004[59]
  • Paint Jump: Art of Naruto ( PAINT Spring Art of NARUTO－ナルト－ ) — 2008[sixty]
  • Naruto Analogy Volume ( NARUTO―ナルト―イラスト集 NARUTO , Naruto Irasuto-shū: Naruto , lit. "Naruto Illustration Collection: Naruto") — 2010[61]
  • Uzumaki Naruto: Illustrations ( NARUTO―ナルト―イラスト集 UZUMAKI NARUTO , Naruto Irasuto-shū: Uzumaki Naruto , lit. "Naruto Analogy Collection: Naruto Uzumaki") — 2015

Novels [edit]

  • Naruto: Tales of a Gutsy Ninja ( NARUTO―ナルト―　ド根性忍伝 , Naruto: Dokonjō Ninden ) — 2010, illustrator, co-author
  • Naruto Jinraiden: The 24-hour interval the Wolf Howled ( NARUTO－ナルト－　迅雷伝　狼の哭く日 , Naruto Jinraiden: Ōkami no Naku Hi ) — 2012, illustrator
  • Naruto: Kakashi'south Story ( NARUTO－ナルト－　カカシ秘伝 氷天の雷 , Naruto: Kakashi Hiden — Hyōten no Ikazuchi ) — 2015, illustrator
  • Naruto: Shikamaru'due south Story ( NARUTO－ナルト－　シカマル秘伝 闇の黙に浮ぶ雲 , Naruto: Shikamaru Hiden — Yami no Shijima ni Ukabu Kumo ) — 2015, illustrator
  • Naruto: Sakura'due south Story ( NARUTO－ナルト－　サクラ秘伝 思恋、春風にのせて , Naruto: Sakura Hiden — Shiren, Harukaze ni Nosete ) — 2015, illustrator
  • Naruto: Konoha's Story ( NARUTO－ナルト－　木ノ葉秘伝 祝言日和 , Naruto: Konoha Hiden — Shūgenbiyori ) — 2015, illustrator
  • Naruto: Gaara's Story ( NARUTO－ナルト－　我愛羅秘伝 砂塵幻想 , Naruto: Gaara Hiden — Sajingensō ) — 2015, illustrator
  • Naruto: The Akatsuki'due south Story ( 暁秘伝 咲き乱れる悪の華 , Naruto: Akatsuki Hiden — Sakimidareru Aku no Hana ) — 2015, illustrator
  • Naruto: Tales of a Celibate Ninja ( NARUTO―ナルト―ド純情忍伝 , Naruto: Dojunjō Ninden ) — 2015, illustrator
  • Naruto: Itachi'due south True Story ( NARUTO－ナルト－ イタチ真伝 , Naruto: Itachi Shinden ) — 2015, illustrator
  • Naruto: Sasuke's True Story ( NARUTO－ナルト－　サスケ真伝 , Naruto: Sasuke Shinden ) — 2015, illustrator
  • Naruto: Konoha'due south New Story ( NARUTO－ナルト－　木ノ葉新伝 , Naruto: Konoha Shinden ) — 2016, illustrator
  • Naruto: Naruto'south New Story ( NARUTO－ナルト－　ナルト新伝 , Naruto: Naruto Shinden ) — 2016, illustrator
  • Naruto: Sasuke's New Story ( NARUTO－ナルト－　サスケ新伝 , Naruto: Sasuke Shinden ) — 2016, illustrator
  • Naruto: Shikamaru's New Story ( NARUTO－ナルト－　シカマル新伝 , Naruto: Shikamaru Shinden ) — 2016, illustrator

Other [edit]

  • Strings on Fire past Chisako Takashima — 2015, special album cover artist
  • Learning Japanese History Through Manga, Book i — 2016, cover artist[62]
  • Learning Japanese History Through Manga, Volume five — 2016, cover artist[62]

Personal life [edit]

Kishimoto is the twin blood brother of Seishi Kishimoto, the author of 666 Satan and Blazer Drive.[5] In 2003, Kishimoto married, but did not accept a honeymoon with his wife until 2015 due to beingness busy with Naruto. In the making of The Terminal: Naruto the Picture, Kishimoto based the idea of Hinata Hyuga wanting to make a scarf for Naruto Uzumaki on how his wife had in one case done the same for him, which brought laughs to the staff while developing the picture show.[63] [64] The couple has one son.[49]

Two of his sometime administration, Osamu Kajisa (Tattoo Hearts) and Yuuichi Itakura (Hand's), take gone on to moderate success post-obit their work on Naruto.[65] [66] [67]

Influences and manner [edit]

The showtime time Kishimoto used the double action technique in a fight betwixt Naruto and Haku.

While every bit a child Kishimoto enjoyed reading manga, he was inspired to write one after seeing a promotional image for the film Akira. This fabricated him analyze the artwork of Akira 's original author, Katsuhiro Otomo, too as Akira Toriyama, another artist he admired. Realizing both had their own style regarding the designs, Kishimoto decided to describe manga while crafting his ain images.[12] While attention art school, Kishimoto was besides an avid reader of Hiroaki Samura's Blade of the Immortal, and extensively studied Samura's folio layouts, activity sequences, and anatomical techniques.[68]

When Kishimoto was originally creating the Naruto serial, he looked to other shōnen manga for influences while attempting to make his characters as unique as possible.[69] Kishimoto cites Akira Toriyama's Dragon Ball series as one of his influences, noting that Goku, the protagonist, was a primal factor when creating Naruto Uzumaki due to his energetic and mischievous personality.[70] When redesigning 3 characters for the series, Kishimoto cites The Matrix(one of his favorite movies) equally an inspiration for their outfits.[71] He has also cited Yoshihiro Togashi every bit one of his favorite manga authors,[37] while the manga Sasuke past Sanpei Shirato inspired Kishimoto in the developing Sasuke Uchiha.[72]

Kishimoto has also cited other influences such as Takeshi Kitano and Quentin Tarantino. He as well mentioned Michael Bay's technique "of shooting a scene against the groundwork light" but found it difficult to brand.[13] Another technique inspired by Jackie Chan'southward films he used in the Naruto manga is the "double-action"; in this action, a punch is shown in iii different angles in order to give a big impact on the punch's strength. This was first shown in Naruto Uzumaki's boxing confronting Haku. Kishimoto sometimes draws panels as intentionally confusing during fight scenes to add together a sense of speed. On the other manus, Kishimoto commented that for the fights between Naruto and Sasuke, he added action from the tiptop of the page to the bottom in order for them to be easier to follow.[73]

During the serial' publication, Kishimoto got married and had children. The changes to his personal life affected the story equally he fabricated Naruto Uzumaki come across his parents, something the author wanted the character to feel based on his ain experiences as a father.[five]

When drawing the characters, Kishimoto consistently follows a v-step process: concept and rough sketch; drafting; inking; shading; and coloring. These steps are followed when he is drawing the manga and making the colour illustrations that commonly adorn the cover of tankōbon; the embrace of Weekly Shōnen Leap; or other media. The toolkit he uses occasionally changes.[74] For example, he used an airbrush for ane analogy for a Weekly Shōnen Jump cover merely decided not to utilize it for future drawings largely due to the cleanup required.[75]

Masashi and his twin blood brother Seishi accept been drawing manga together since early babyhood; thus their styles are similar.[76] As a result, each has been ofttimes accused of copying the other- non just artwork, but story elements likewise. Seishi notes that the similarities are not intentional but are likely because they were influenced by many of the same things.[77] [78]

Kishimoto has admitted he made no plans in regards to the development of Naruto 'southward story developments. For example, when introducing Sasuke, the grapheme says he wants to impale a person named "Itachi" who he had to redesign a number of times. By this time, Kishimoto only thought that Sasuke'due south blood brother, Itachi, had done a wrong deed in the past but was not certain of what was exactly. By volume 16 of the serial which featured Itachi'southward actual introduction, Kishimoto decided Itachi was an agent working for Konohagakure to kill all members from the Uchiha clan except Sasuke. This is later revealed in volume 43 of the manga.[73] Another i was the revelation that the belatedly Minato Namikaze would be Naruto's father. When Kishimoto had the idea that Minato would be Naruto's father, he started adding hints of that to the reader such as giving the Hokage mountain from Konohagakure spiky pilus similar to Naruto's.[79]

In the making of the film Boruto: Naruto the Movie Kishimoto paid tribute to several movies, the nearly notable existence the 1996 motion-picture show The Rock and the 2002 picture show Spider-Human being. The tribute to The Rock was mostly done by using Kishōtenketsu, which is a common way of structuring stories in Nippon.[eighty] He also claimed he was a fan of Avi Arad, nigh notably his films based on the Spider-Man comic volume character.[81]

References [edit]

  1. ^ a b Kishimoto, Masashi (October 4, 2002). NARUTO―ナルト―[秘伝·兵の書]オフォシャルファンBOOK (in Japanese). Japan: Shueisha. p. 205. ISBN4-08-873321-v.
  2. ^ 「ＮＡＲＵＴＯ―ナルト―」作者・岸本斉史さん 新連載『サムライ８（エイト）八丸伝（ハチマルデン）』スタート 君も完璧じゃなくていい (in Japanese). Yomiuri Online. May iii, 2019. Archived from the original on May four, 2019. Retrieved May 3, 2019.
  3. ^ "MANGA Plus: Interviewing editors". MANGA Plus. Shueisha. Archived from the original on February 12, 2020. Retrieved September six, 2020.
  4. ^ a b "Masashi Kishimoto Takes Over as Writer for Boruto Manga". Anime News Network . Retrieved November 16, 2020.
  5. ^ a b c Kido, Misaki C. (Jan 2012). "Interview with Masashi Kishimoto (Creator of Naruto)". Weekly Shonen Jump Alpha. Viz Media (1–30–12): 118–121.
  6. ^ a b "Interview with Masashi Kishimoto Pt. 2 - Feb xiii, 2012". Viz Media . Retrieved Apr 16, 2022.
  7. ^ Kishimoto, Masashi (2005). Naruto, Volume 7. Viz Media. p. 66. ISBN978-1-59116-875-one.
  8. ^ Kishimoto, Masashi (2005). Naruto, Volume 7. Viz Media. p. 104. ISBN978-1-59116-875-1.
  9. ^ Kishimoto, Masashi (2005). Naruto, Volume 8. Viz Media. p. 27. ISBN978-1-4215-0124-half dozen.
  10. ^ Kishimoto, Masashi (2005). Naruto, Volume 8. Viz Media. p. 66. ISBN978-1-4215-0124-six.
  11. ^ Kishimoto, Masashi (2005). Naruto, Book 8. Viz Media. p. 86. ISBN978-ane-4215-0124-6.
  12. ^ a b Kishimoto, Masashi (2006). Naruto, Book 10. Viz Media. p. 157. ISBN978-1-4215-0240-3.
  13. ^ a b c Solomon, Charles (December 17, 2008). "Interview: The man behind 'Naruto'". Los Angeles Times . Retrieved April 5, 2016.
  14. ^ Kishimoto, Masashi (2007). Naruto, Volume 13. Viz Media. p. 26. ISBN978-1-4215-1087-three.
  15. ^ Kishimoto, Masashi (2007). Naruto, Volume xiii. Viz Media. p. 66. ISBN978-i-4215-1087-three.
  16. ^ Kishimoto, Masashi (2007). Naruto, Book 15. Viz Media. p. 66. ISBN978-i-4215-1089-vii.
  17. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 86. ISBN978-1-4215-1089-7.
  18. ^ Kishimoto, Masashi (2007). Naruto, Volume xv. Viz Media. p. 106. ISBN978-1-4215-1089-7.
  19. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 126. ISBN978-one-4215-1089-7.
  20. ^ Kishimoto, Masashi (2007). Naruto, Book 16. Viz Media. p. 150. ISBN978-1-4215-1090-iii.
  21. ^ Naruto Vol. 4, p. 26
  22. ^ a b c d eastward f Weekly Shonen Bound 2014 No. 51, "Naruto Interview: The Beginning"
  23. ^ Naruto Vol. 4, p. 46
  24. ^ Weekly Shonen Jump 2015 No. 45, p. 178
  25. ^ Naruto Vol. four, p. 102
  26. ^ Naruto Vol. 11, p. 126
  27. ^ Naruto Vol. 11, p. 46
  28. ^ "The Origin of Naruto - Naruto Shippuden - Official U.S Site" (Press release). Vizmedia/Shueisha. August 11, 2009. Archived from the original on Feb 8, 2010.
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External links [edit]

  • Masashi Kishimoto at Anime News Network's encyclopedia
  • Masashi Goodreads
  • Masashi Kishimoto at IMDb

gunterquishe.blogspot.com

Source: https://en.wikipedia.org/wiki/Masashi_Kishimoto

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